Art and Culture

Brady Lum, the former chief operating officer of Atlanta’s High Museum of Art, entered a not guilty plea Tuesday to a federal theft charge stemming from allegations that he misappropriated museum funds. In February, news broke…
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WASHINGTON (AP) — The Kennedy Center’s new leadership wants to prove to critics that the building is damaged beyond simple repair. It’s starting with Congress. Matt Floca, the performing arts…
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“A report commissioned by Arts Council England finds that touring is ‘in crisis’, though ‘not entirely broken’, given some parts of the sector, such as large-scale commercial touring in major cities, are going ‘from strength to…
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Sony Pictures Entertainment is restructuring its operations with plans for hundreds of layoffs across its film, TV and corporate divisions. Sources tell Variety the layoffs, which are expected to result in a “few hundred”…
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“Launching an imprint positions publishing as a true content-creation hub, deepening engagement with beloved franchises while actively developing new IP and original stories for audiences to embrace for years to come,” Amy…
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We take pride in the ever-evolving nature of our work, which transforms the lives of our students, preparing them for personal and professional success. Rider University is consistently recognized by The Princeton Review and U.S.…
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Sid Krofft, who along with brother Marty Krofft created and co-produced a slew of trippy, beloved kids’ TV classic of the 1970s such as H.R. Pufnstuf, Land of the Lost and others, died Friday, April 10, of natural causes at the home of…
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This month, USA Today published an excellent report that revealed how US Immigrations and Customs Enforcement delayed disclosing key information about the impacts of its detainment policies. The authors used the Internet Archive’s…
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I’m an English professor with an interest in computers. When the first AI chatbots came out a few years ago, I began fiddling around with them. While gearing up to teach a particular topic, I would sometimes query a chatbot to find…
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In the history of Australian art, you’d be hard pressed to find an exhibition that has received more media coverage than the National Gallery of Australia’s winter blockbuster, Ngura Puḻka – Epic Country. Yet very little of this coverage…
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